tag:blogger.com,1999:blog-14346618728066942372024-03-04T22:26:15.713-08:00Afro-Latin American Cultures/ Culturas AfrolatinoamericanasManuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.comBlogger29125tag:blogger.com,1999:blog-1434661872806694237.post-37583702835108561042022-08-04T15:34:00.007-07:002022-08-04T15:36:58.746-07:00NEW BOOK!<p></p><div class="separator" style="clear: both; text-align: center;"><span style="background-color: #fcff01;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: #fcff01;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: #fcff01; font-size: large;"> </span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://brill.com/view/title/57006?language=en#:~:text=En%20Cofrad%C3%ADas%20Afrohisp%C3%A1nicas%3A%20celebraci%C3%B3n%2C%20resistencia%20furtiva%20y%20transformaci%C3%B3n,Copyright%20Year%3A%202022%20E-Book%20%28PDF%29%20Availability%3A%20Published%20ISBN%3A" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="2846" data-original-width="1857" height="584" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYm4qikl2iSmgEO8KJfTz0UN6FWF0qzXHGQrUHxoLoVkjY_U2yw7MKAXulBIVeTD8TawzJO0ZR4EzzOKtFUs-z5qXBI2cVYt7ccX1KDWLFxWy11C8oDckwN42rPaQz-2dG1_9TAhu3R4iGxSQiVIFJR12jwy2N3S2yFumwJ7YuIcfKRMJRniuKslB-Ug/w381-h584/CRLT%201%20Apodaca%20Valdez.jpg" width="381" /></a></div><br /> <p></p>Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-48359853973165054422021-10-11T12:55:00.017-07:002021-10-11T13:00:29.619-07:00<p style="text-align: center;"> <i>FIGURAS. Revista Académica de Investigación. </i></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvINeilZH-qU7eyfNb7FH2DrmYDd0iRzPJHtYzkhnCaoTYtIgVWC_3teai0QS2qIIjO9LmANJZn8UmPp5YY0_t68GtbVDPtklrprU5TowzFImj_QNtzSy8tT89HUlKCqcFexuXh_ilY34/s225/FES+Acatlan+logo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="225" data-original-width="225" height="121" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvINeilZH-qU7eyfNb7FH2DrmYDd0iRzPJHtYzkhnCaoTYtIgVWC_3teai0QS2qIIjO9LmANJZn8UmPp5YY0_t68GtbVDPtklrprU5TowzFImj_QNtzSy8tT89HUlKCqcFexuXh_ilY34/w121-h121/FES+Acatlan+logo.jpg" width="121" /></a></div><p></p><p style="text-align: center;">MANUEL APODACA-VALDEZ. </p><p style="text-align: center;">"Raza, género y poder colonial en la Nueva España (siglos XVI-XVII)." <a href="https://revistafiguras.acatlan.unam.mx/index.php/figuras/article/view/144 ">Figuras Vol. 2, No. 2, 2021</a></p>Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-29982163445564401372019-08-10T10:11:00.002-07:002019-08-10T10:41:45.894-07:00Algunos de mis videos en YouTube<div class="separator" style="clear: both; text-align: center;">
I want to share some of my videos in YouTube.</div>
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<span style="color: yellow;">Thank you for watching. If you share, please credit my website.</span></div>
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<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/XDfPMHKJ7fQ/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/XDfPMHKJ7fQ?feature=player_embedded" width="320"></iframe></div>
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<i><span style="color: orange;">Danza de los Diablos en Collantes, Oaxaca. Dia de Muertos, 2007.</span></i></div>
Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-73814650373027801252018-06-06T10:13:00.002-07:002018-06-06T10:13:38.713-07:00Fatoumata Diwara (Mali)<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgoqZ3rtNFIXCPCJJfQq3yFMv9hCNN8Rq23rEKasxztruYoK4etesuzihyphenhyphen-pwAM-bYtpkMHq5fwnx5sqhdXw9dEeBL-J0xqeEDpMBgJCgwUHeh4dzQzAjP_jXgaTIkxNgFDPU7pCs21f4/s1600/fatoumata_diawara.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1001" data-original-width="1503" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgoqZ3rtNFIXCPCJJfQq3yFMv9hCNN8Rq23rEKasxztruYoK4etesuzihyphenhyphen-pwAM-bYtpkMHq5fwnx5sqhdXw9dEeBL-J0xqeEDpMBgJCgwUHeh4dzQzAjP_jXgaTIkxNgFDPU7pCs21f4/s320/fatoumata_diawara.jpg" width="320" /></a></div>
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<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/IwbhPJsnE6U/0.jpg" src="https://www.youtube.com/embed/IwbhPJsnE6U?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
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Enjoy her voice and music. She's amazing!<br />
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http://www.fatoumatadiawara.com/</div>
Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-4923461149982680082018-05-25T15:39:00.001-07:002018-06-06T10:15:48.020-07:00Congos de Villa Mella (video) Patrimonio Cultural Intangible de la Humanidad, UNESCO 2001.<div class="separator" style="clear: both; text-align: center;">
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<a href="https://youtu.be/qeC3XiaJHBw" target="_blank"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxNcx-v-r5JOsOV1b1duSwfIkMoVeYUKGNvNfyYryjtqCAZk-FSI_BXz7MFjL8HAZKlRmhzj6EgReEPjwvWBQ' class='b-hbp-video b-uploaded' frameborder='0'></iframe></a></div>
<span style="background-color: transparent; color: black; display: inline; float: none; font-family: "times new roman"; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><br /></span><span style="color: yellow;"><span style="background-color: transparent; display: inline; float: none; font-family: "times new roman"; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">El día Pentecostés, la cofradía </span><span style="background-color: transparent; color: yellow; display: inline; float: none; font-family: "times new roman"; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">del Espíritu Santo</span><span style="background-color: transparent; color: black; display: inline; float: none; font-family: "times new roman"; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"> </span><span style="background-color: transparent; display: inline; float: none; font-family: "times new roman"; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">celebra con misa, música, baile, comida y bebida en Villa Mella. Aquí un fragmento de la música y baile de Congos, que ha sido declarado Patrimonio cultural intangible de la humanidad por la UNESCO desde 2001. Santo Domingo, República Dominicana, Mayo 20, 2018.</span></span><br />
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<a href="https://youtu.be/qeC3XiaJHBw" target="_blank">Los Congos de Villa Mella 2018</a> (otro video en YouTube)</div>
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<br />Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-84686370313466554582018-05-25T15:36:00.001-07:002018-05-25T16:12:06.213-07:00COFRADIA DEL ESPIRITU SANTO, CONGOS DE VILLA MELLA, 2018<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFKnOV3tAbtbZTW0Z6DaMN4_VgAdTzP3SvY35lREU3vI9tkWPXcL_gPDXWn9DLldJ8l78t2TX641h9DOAxw9xvafsg6HBf_fvC_fqf_aRXs3VFGyyax5xiOE-IHb1WXN6bIeyu2M-bSog/s1600/abuela+congo.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFKnOV3tAbtbZTW0Z6DaMN4_VgAdTzP3SvY35lREU3vI9tkWPXcL_gPDXWn9DLldJ8l78t2TX641h9DOAxw9xvafsg6HBf_fvC_fqf_aRXs3VFGyyax5xiOE-IHb1WXN6bIeyu2M-bSog/s320/abuela+congo.JPG" width="320" /></a></div>
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Mucha comida para todos los asistentes</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihew9be0_ZvsQVLxKQ-6nrgpvRlkE-wIswlYGQh-Js97Io3kEsCI_dYndoGhXwxo1a65JhyphenhyphenM78Pv5yNJShX4yuIKIAyq3LenRKHf9Xl1ZRNJLJaikg5XYOPjgtUvxQMV3Ms3UjMEEtVqM/s1600/Enrique+Minier+y+los+instrumentos+congos.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihew9be0_ZvsQVLxKQ-6nrgpvRlkE-wIswlYGQh-Js97Io3kEsCI_dYndoGhXwxo1a65JhyphenhyphenM78Pv5yNJShX4yuIKIAyq3LenRKHf9Xl1ZRNJLJaikg5XYOPjgtUvxQMV3Ms3UjMEEtVqM/s320/Enrique+Minier+y+los+instrumentos+congos.JPG" width="240" /></a></div>
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Enrique Minier y los instrumentos tradicionales del los Congos: palos (tambores altos), alcahuete (tambor menor), canoíta (clave) y maracas.</div>
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Grupo de Pri-Pri (tambora arrastrada, guiro y armónica, baile y música festiva en casa de Nando Brazobán, rey de la cofradía del Espiritu Santo.</div>
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<br />Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-73501981658756500292017-07-26T18:21:00.000-07:002017-07-26T18:21:03.616-07:00<br />
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<a href="http://www.cimarrones-peru.org/cimarron.htm" target="_blank">CIMARRO</a><a href="http://www.cimarrones-peru.org/cimarron.htm" style="text-align: center;" target="_blank">NES. Foro Afroperuano</a> (Blog)</h2>
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<br />Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-633102935675023302017-01-23T18:57:00.002-08:002017-01-23T19:01:33.578-08:00COPLAS Y FANDANGOS DE LA COSTA CHICA DE MEXICO. Estudio de Manuel Apodaca<div class="separator" style="clear: both; text-align: center;">
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Año XVI / números 1 y 2</div>
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enero-diciembre de 2016</div>
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<a href="http://rlp.culturaspopulares.org/textcit.php?textdisplay=788" target="_blank">http://rlp.culturaspopulares.org/textcit.php?textdisplay=788</a></div>
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<span class="style4"><b><span style="color: #a91d16; font-size: x-small;">Resumen.</span></b></span> Este artículo explora rasgos de identidad cultural y de género en la Costa Chica de México a través del análisis de coplas y fandangos populares que combinan música, danza y tradición oral entre otros: el son de artesa, la chilena y los versos de boda. El corpus de oralitura o literatura oral que aquí se muestra refleja un continuo hibridismo en la cultura de esta región, a la vez que sirve para perfilar la identidad cultural de los afrodescendientes de la Costa Chica que, aunque posee características únicas, no es ajena al resto de las culturas derivadas de la diáspora africana en el continente americano. Con el apoyo de la teoría postcolonial y los estudios culturales, se analiza la data etnográfica recolectada por el autor en varias comunidades afromexicanas de Oaxaca y Guerrero.</div>
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Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-17944900009989751372015-06-19T10:41:00.002-07:002015-06-19T11:12:04.285-07:00EL FANDANGO DE ARTESA Y EL RESURGIMIENTO DE UNA TRADICIÓN AFROMEXICANA<div>
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<span style="background-color: white; font-family: Arial; font-size: small;">De antecedentes coloniales, el fandango de artesa es la costumbre de bailar sobre una plataforma de madera con terminación labrada con cabeza y cola de caballo, toro o vaca en fiestas de comunidades afrodescendientes de la Costa Chica de Guerrero y Oaxaca. Baile en San Nicolás Tolentino. Foto INAH.</span><br />
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Ver el artículo completo en:<br />
<a href="http://www.inah.gob.mx/boletin/5-actividades-culturales/7486-el-fandango-de-artesa-y-el-resurgimiento-de-una-tradicion" target="_blank">http://www.inah.gob.mx/boletin/5-actividades-culturales/7486-el-fandango-de-artesa-y-el-resurgimiento-de-una-tradicion</a><br />
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Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com1tag:blogger.com,1999:blog-1434661872806694237.post-31354859244380980882014-03-30T16:33:00.002-07:002014-03-30T16:36:06.936-07:00Seminario y Taller "AFRO-INDOAMERICA" en la UNAM<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKohRIUB4IOgowtK6iK8d70t1R6TP3HB5YRLBpYKefHW6wbM0c4bCwyR4_LkJayxzIjP0DwLyhpPgHasDS5iPxPzlRbXcd1HkENTICwyz7VC7u7ZgKG97blXsfnALlfWOCPTN5uAApNkc/s1600/20140212_225308.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKohRIUB4IOgowtK6iK8d70t1R6TP3HB5YRLBpYKefHW6wbM0c4bCwyR4_LkJayxzIjP0DwLyhpPgHasDS5iPxPzlRbXcd1HkENTICwyz7VC7u7ZgKG97blXsfnALlfWOCPTN5uAApNkc/s1600/20140212_225308.jpg" height="640" width="360" /></a></div>
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<br />Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-90690603216241625332013-12-03T13:25:00.000-08:002017-07-16T20:41:43.719-07:00ALARA Statement on Revoked Dominican Citizenship<br />
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<span style="font-family: "cambria";"><span style="color: white;"><i style="mso-bidi-font-style: normal;">“El exceso de población de Haití constituye, por tanto, una amenaza
creciente para la<span style="mso-spacerun: yes;"> </span>República Dominicana.”
-- (</i>Joaquín Balaguer, <i style="mso-bidi-font-style: normal;">La isla al
revés:<span style="mso-spacerun: yes;"> </span>Haití y el </i></span></span></div>
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<span style="font-family: "cambria";"><span style="color: white;"><i style="mso-bidi-font-style: normal;">destino dominicano</i>)</span></span></div>
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<span style="font-family: "cambria";"><span style="color: white;"><i style="mso-bidi-font-style: normal;">“The excess of inhabitants from Haiti constitute, therefore, a growing
threat for the Dominican Republic.”</i><span style="mso-spacerun: yes;">
</span>-- (Joaquín Balaguer, <i style="mso-bidi-font-style: normal;">The Inside
Out Island:<span style="mso-spacerun: yes;"> </span>Haiti and the Dominican
Destiny)<o:p></o:p></i></span></span></div>
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<span style="mso-no-proof: yes;"><span style="font-family: "cambria";"><span style="color: purple;">The Afro/Latin American
Research Association (ALARA) is fully committed to the promotion of ethnic and
racial equality.<span style="mso-spacerun: yes;"> </span>To that end, ALARA
finds the 30 September 2013 Ruling Sentence 168/13 of the Constitutional Court
of the Dominican Republic to revoke citizenship from thousands of people of
Haitian descent living in the Dominican Republic to be an aggressive and
egregious act of anti-Haitian sentiment, xenophobia, and racism.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></span></div>
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<span style="mso-no-proof: yes;"><span style="font-family: "cambria";"><span style="color: purple;">This recent change to
national policy and its incumbent ripple effect on this population’s ability to
access social services and the public education system are uncomfortably
similar to the words written by seven-time Dominican president Joaquín Balaguer
in his 1983 anti-Haitian diatribe, “La isla al revés:<span style="mso-spacerun: yes;"> </span>Haití y el destino dominicano.”<span style="mso-spacerun: yes;"> </span>ALARA considers Balaguer’s book to be a
thinly veiled anti-Haitian manifesto intended to rest the Dominican Republic’s
social, political, and econonic ills squarely at the feet of Haitians and those
of Haitian descent residing near the border between the two countries. <o:p></o:p></span></span></span></div>
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<span style="color: purple;"><span style="mso-no-proof: yes;"><o:p><span style="font-family: "cambria";"> </span></o:p></span><span style="mso-no-proof: yes;"><span style="font-family: "cambria";">The ALARA membership
considers this sweeping revocation of citizenship by the Dominican
Constitutional Court to be a shocking expansion of previous Dominican efforts
to “dominicanize” its territory.<span style="mso-spacerun: yes;">
</span>Notably, this ruling comes exactly 76 years after the Dominican Republic’s
most brutal “dominicanization” undertaking known as “Operación Perejíl.”<span style="mso-spacerun: yes;"> </span>In this October 1937 campaign near the
Dominican-Haitian border, residents were shown a sprig of parsley and asked to pronounce
the herb, which served as a shibboleth to distinguish between Haitians and
Dominicans.<span style="mso-spacerun: yes;"> </span>Those thought to be Dominicans
passed the test and lived.<span style="mso-spacerun: yes;"> </span>Those thought
to be Haitians failed the test and were killed by armed soldiers.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></span></div>
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<span style="color: purple;"><span style="mso-no-proof: yes;"><o:p><span style="font-family: "cambria";"> </span></o:p></span><span style="mso-bidi-font-family: "Times New Roman";"><span style="font-family: "cambria";">ALARA
considers the recent action by the Dominican Constitutional Court to be a
dangerous and irresponsible encroachment on human rights, as was the violent
massacre of 1937.</span></span><span style="font-family: "calibri" , "sans-serif"; font-size: 14pt;"> </span></span><span style="mso-no-proof: yes;"><span style="font-family: "cambria";"><span style="color: purple;">Thus, ALARA
firmly stands with those in the Dominican Republic and the wider international
community who seek to end all manners of violence against and marginalization
of Haitians and Dominicans of Haitian descent residing in the Dominican
Republic.</span><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></div>
Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-68346539500135106502013-08-10T12:11:00.002-07:002013-08-10T12:17:07.908-07:00Afrodominicanos, Vudu, Salve y Sarandunga <div class="separator" style="clear: both; text-align: center;">
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Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-5626421864742814262013-06-11T17:01:00.000-07:002017-07-16T20:44:44.804-07:00SARANDUNGA: A POPULAR AFRO-DOMINICAN TRADITION IN LA VEREDA DE BANI<br />
Saint John The Baptist's Day is near, June 24th. For Afro-Dominicans of la La
Vereda, Pueblo Arriba and Fundación de Peravia this is the main
celebration of the year. The Confraternity of San John The Baptist, integrated by sisters
and brothers of these three communities, dates back to Colonial times when run away enslaved Africans momentarily
stopped at the hills of the province of Bani to have a break before heading up to
the Sierra of Neyba and Bahoruco mountains. They used to play drums warning other runaway
Africans about the distance of the enemy behind them. During leisure time they
enjoyed playing, singing and dancing. With the passing of years, some African descendants established there, who gave origin to the actual villages of La Vereda and Fundacion de Peravia. A unique type of music and dance called SARANDUNGA
was born together with a ceremonial tradition that mixes Catholic with West African religions, such as, Dominican Vodou, or Veintiuna Division. Nowadays, The Sarandunga is proudly celebrated as a communal fest of identity and resistance during three different days, and at three different communities. They commemorate not only the Saint, Saint John The Baptist, but also cultural heritage and freedom.<br />
The following pictures of <i>La Sarandunga</i> were taken in La Vereda de Baní, as I
witnessed and enjoyed in July, 2012.<br />
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<br />Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com2tag:blogger.com,1999:blog-1434661872806694237.post-25880288315505533652013-01-31T13:35:00.001-08:002013-05-22T18:56:51.841-07:00<div style="text-align: center;">
<a href="https://docs.google.com/file/d/0B5laaY_EnRxudTZsbjdZRk5NUVE/edit" target="_blank">THE DANCE OF THE DEVILS OF THE COSTA CHICA: AFRO-MEXICAN PERFORMANCE OF IDENTITY AND RESISTANCE.</a></div>
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<span style="color: #cc0000;">Journal Article by Manuel Apodaca in PALARA Number 12, Fall 2008.</span></div>
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Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com1tag:blogger.com,1999:blog-1434661872806694237.post-6424552029253855922013-01-10T15:34:00.001-08:002013-05-22T19:00:49.918-07:00Images of the popular religion La Veintiuna Division in the Dominican Republic<br />
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<a href="http://localhost:54490/0ead3a26f5d56a56a2f7c18e81678ca5/image/22ebbb1f2e65996e.jpg"></a> </h2>
Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-1599061087402784142013-01-10T15:07:00.000-08:002013-06-11T17:47:40.388-07:00<span style="font-family: "Times New Roman","serif"; font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"></span><br />
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<a href="http://www.udel.edu/LAS/artcontents13-2.html" target="_blank">Vudu Dominicano: Religiosidad Magia y Cultura</a></h2>
<h3 style="text-align: center;">
Manuel Apodaca. Journal Article in DeRLAS. Dec. 2012</h3>
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<span style="font-family: "Times New Roman","serif"; font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><span id="goog_1794370943"></span><span id="goog_1794370944"></span></span><br />Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-6657534551734235302013-01-10T14:40:00.004-08:002013-01-10T14:40:43.240-08:00<br />
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<span style="color: #cc0000;">AFROCOLOMBIAN E-BOOKS</span></div>
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<span style="color: purple;">Excellent Resource!</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzcMKxhWzZhKF1az2JuY5l_1agEEwfIuvAIVQqdZwJWwckRtrZcqmNYVcFHP1zYMhwiJHUR-TVdq1wOdZGSyl197_ersku4dIPhhKxcdMyuZx05VMBEPntjYqxGVNQ9ciRX4W5KQY4U3S6/s1600/CIMG0759.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzcMKxhWzZhKF1az2JuY5l_1agEEwfIuvAIVQqdZwJWwckRtrZcqmNYVcFHP1zYMhwiJHUR-TVdq1wOdZGSyl197_ersku4dIPhhKxcdMyuZx05VMBEPntjYqxGVNQ9ciRX4W5KQY4U3S6/s320/CIMG0759.JPG" width="320" /></a></div>
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<em>Mane and Norma in Palenque de San Basilio</em></div>
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<a href="http://www.banrepcultural.org/blaavirtual/biblioteca-afrocolombiana/manuel-zapata-olivella-por-los-senderos-de-sus-ancestros"><span style="color: blue; font-family: Calibri;">http://www.banrepcultural.org/blaavirtual/biblioteca-afrocolombiana/manuel-zapata-olivella-por-los-senderos-de-sus-ancestros</span></a><span style="font-family: Calibri;"><o:p></o:p></span></div>
<br />Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-25492646959261311432012-09-09T11:53:00.000-07:002012-09-09T14:02:37.180-07:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw6Cn3jI5PDOZogrkvORfERKLm-xipbueKju4UANw5XDc0AYKlG8O23vNfMYOmxN7yluH2ExJpuhLTHzHa6D7UpBC8UFGWSfdQJ0WWUR1kDUFqhjg3TQzq9m1crlXbG4B8Fg8dPPsz5RI/s1600/La+familia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw6Cn3jI5PDOZogrkvORfERKLm-xipbueKju4UANw5XDc0AYKlG8O23vNfMYOmxN7yluH2ExJpuhLTHzHa6D7UpBC8UFGWSfdQJ0WWUR1kDUFqhjg3TQzq9m1crlXbG4B8Fg8dPPsz5RI/s320/La+familia.jpg" width="320" /></a></div>
<a href="http://www.blogtalkradio.com/new-orleans-wake-up/2012/09/08/mexicos-african-heritage-part-2" target="_blank">Marco Polo Hernadez, talk radio show about Afro-Mexico</a>Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-57982228269821848252011-10-21T14:27:00.000-07:002011-10-22T19:08:26.739-07:00<br />
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<span style="font-family: Calibri;">Faculty and students from the University of Southern Indiana participated in a research trip in the Dominican Republic from June 14 to 29, 2011. The group was composed by Dr. Manuel Apodaca-Valdez (Program director), Dr. Norma Rosas Mayen, and six students Spanish majors in the Department of Modern and Classical Languages: Chelsey Mullins, Monika Watten, Erin Schmitt, Ashley Elpers, Grisel Barajas, and Peter Willimas. Each participant accomplished an individual research project dealing with various aspects on the African influence in current culture and language of the Dominican Republic. The research trip<span style="mso-spacerun: yes;"> </span>included excursions to various towns and Bateys (plantations) including, Batey Libertad, Batey Cerro Gordo (near Santiago), the town of Dajabon in the border with Haiti, Santiago City, the 27 Charcos of Damajagua, and the beaches of Samana, and Puerto Plata.</span></div>
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<span style="font-family: Calibri;">See more pictures at:</span></div>
<a href="https://picasaweb.google.com/manjes12/DominicanRepublicSummer2011">https://picasaweb.google.com/manjes12/DominicanRepublicSummer2011</a>#<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHr-dDTyBsV2PtO7ZSZlnMYEDhqvxc39voIUbzK3UdGKvFjkqitYsxMs3NXLL_IL9ONwGBIuDjC2VWHGw0zG_6PEgvB_as_mxu30-qZ_o-tcxIIo5PyG6EG0e4K7ssqFNnz-tYyaIFF2Y/s1600/27Charcos+1" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" rda="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHr-dDTyBsV2PtO7ZSZlnMYEDhqvxc39voIUbzK3UdGKvFjkqitYsxMs3NXLL_IL9ONwGBIuDjC2VWHGw0zG_6PEgvB_as_mxu30-qZ_o-tcxIIo5PyG6EG0e4K7ssqFNnz-tYyaIFF2Y/s320/27Charcos+1" width="320" /></a></div>
<a href="https://plus.google.com/118065407681264858664#photos/118065407681264858664/albums/5659704408643025585">https://plus.google.com/118065407681264858664#photos/118065407681264858664/albums/5659704408643025585</a><br />
<br />Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-51502409797508858012010-06-09T15:34:00.000-07:002010-06-14T20:27:16.174-07:00Abakua Dances in CubaVIDEO: <a href="http://www.youtube.com/watch?v=8OtDlqTyLU4&NR">http://www.youtube.com/watch?v=8OtDlqTyLU4&NR</a> . Thanks to: maycarrion<br /><br />Défilé ABAKUA <a href="http://www.dailymotion.com/video/x4dee5_defile-abakua_music">http://www.dailymotion.com/video/x4dee5_defile-abakua_music</a> Thanks to ritmacuba<img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 214px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5480919913259009362" border="0" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6LVQLF-1utnF5K9BfacSwoPnd1ytv6W8i3tIIux1MU12pYND5kTkWMhQlQfVg1MtZSzLIYBgAITF231Z_8H_d2E-kyG0lodxmr0rT2fFh3cFupgtTtRG4ktkBZTP6YfJvsyEVoRaPZ9s/s320/Young+dancing.jpg" /> Pictutre by: Crispin Robinson<br /><a href="http://newhumanist.org.uk/2116/rhythm-rites">Rhythm rites</a><br />Vol.124, Issue 4 (July/August 2009) <p><span style="color:#006600;">Want to know more about Abakua?</span> </p><p>Read: <span style="color:#990000;">Ivor Miller's <em>Voice of the Leopard: African Secret Societies and Cuba </em></span><a href="http://www.upress.state.ms.us/books/1147">http://www.upress.state.ms.us/books/1147</a> Recomended!</p>Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-52495429839746177102010-05-25T13:54:00.000-07:002011-02-05T12:39:55.599-08:00Ethnotourism: An Economic Alternative for Marginalized Communities<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg01Y-2wNrZ3HhoEQ7R_AE6FlEy5U62tG44FPhRZG1xjORAPHMVc9nPfsnecJr71aZLBqhyphenhyphenWK4KmzycR9EVram90Y8NThirCLTboAqOyZssPk870VnOkJA_ItSR0KFI9Y72aYXANpWMFCY/s1600/CIMG0676.JPG"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 240px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5475336325876452690" border="0" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg01Y-2wNrZ3HhoEQ7R_AE6FlEy5U62tG44FPhRZG1xjORAPHMVc9nPfsnecJr71aZLBqhyphenhyphenWK4KmzycR9EVram90Y8NThirCLTboAqOyZssPk870VnOkJA_ItSR0KFI9Y72aYXANpWMFCY/s320/CIMG0676.JPG" /></a><br /><div><span id="SPELLING_ERROR_0" class="blsp-spelling-error">Ethnotourism</span> is a neologism encompassing both ethnic and tourism. It has been recently introduced to various African and Amerindian minority groups in South and Central America, especially in countries such as Bolivia, Ecuador, Colombia, Panama, and Honduras. <span id="SPELLING_ERROR_1" class="blsp-spelling-error">Ethnotourism</span> differs from <span id="SPELLING_ERROR_2" class="blsp-spelling-error">ecotourism</span> basically in agency direction. While <span id="SPELLING_ERROR_3" class="blsp-spelling-error">ecotourism</span> promotes "responsible travel to natural areas that conserve the environment and improves the well-being of local people" (International <span id="SPELLING_ERROR_4" class="blsp-spelling-error">Ecotourism</span> Society), <span id="SPELLING_ERROR_5" class="blsp-spelling-error">ethnotourism</span>, in addition to look for the well-being of the communities, aims to foster local agencies able to create their own touristic programs and facilities, without the intervention of external parts. </div><div><br />A good example of how <span id="SPELLING_ERROR_6" class="blsp-spelling-error">ethnotourism</span> works in an Afro-Latina American community is <span id="SPELLING_ERROR_7" class="blsp-spelling-error">Palenque</span> <span id="SPELLING_ERROR_8" class="blsp-spelling-error">de</span> San Basilio in Colombia. Considered as Intangible Patrimony of the World because of its unique culture and language, <span id="SPELLING_ERROR_9" class="blsp-spelling-error">Palenque</span> <span id="SPELLING_ERROR_10" class="blsp-spelling-error">de</span> San Basilio, located in the <span id="SPELLING_ERROR_11" class="blsp-spelling-error">Montes</span> <span id="SPELLING_ERROR_12" class="blsp-spelling-error">de</span> Maria, one hour from <span id="SPELLING_ERROR_13" class="blsp-spelling-error">Cartagena</span> <span id="SPELLING_ERROR_14" class="blsp-spelling-error">de</span> <span id="SPELLING_ERROR_15" class="blsp-spelling-error">Indias</span>, offers to the visitor numerous activities including guided tours, lively spectacles of Afro-Colombian dances and music, conversations with local prominent figures, <span id="SPELLING_ERROR_16" class="blsp-spelling-corrected">such</span> as boxers, singers, musicians, leaders and scholars. One agency in <span id="SPELLING_ERROR_17" class="blsp-spelling-error">Palenque</span> has adopted the term <span id="SPELLING_ERROR_18" class="blsp-spelling-error">ethnotourism</span> to define their own promotion of cultural activities. The team, led by Manuel Perez (<span id="SPELLING_ERROR_19" class="blsp-spelling-error">Mané</span>) has organized a dance and music <span id="SPELLING_ERROR_20" class="blsp-spelling-corrected">troupes</span>, guided tours, and observation of <span id="SPELLING_ERROR_21" class="blsp-spelling-error">Palenquero</span> language classes, the local Creole language currently in a process of revitalization at the local schools. </div><br /><div></div><div><span id="SPELLING_ERROR_22" class="blsp-spelling-error">Ethnotourism</span> <span id="SPELLING_ERROR_23" class="blsp-spelling-corrected">might</span> become a sustainable source of income for hundreds of native and <span id="SPELLING_ERROR_24" class="blsp-spelling-corrected">marginalized</span> communities in developing countries that struggle against loosing not only their jobs, but also traditions and languages devoured by globalization, which they cannot escape.<br /><span id="SPELLING_ERROR_25" class="blsp-spelling-error">Ethnotourism</span> my focus not only on protecting the environment, but also benefiting native people, in a trend named as community-based <span id="SPELLING_ERROR_26" class="blsp-spelling-error">ethnotourism</span>. In <span id="SPELLING_ERROR_27" class="blsp-spelling-error">ethnotourism</span>, rather than being passively observed by tourists only as exotic peoples, natives become active participants, promoters of their own culture, and main recipients of the economical benefit that tourism raise.</div><div><br />What is necessary to promote <span id="SPELLING_ERROR_28" class="blsp-spelling-error">ethnotourism</span> in Marginalized communities?<br /><br />1. Each country should include in its Tourism Office agenda the promotion of <span id="SPELLING_ERROR_29" class="blsp-spelling-error">ethnotourism</span> at communities distinguished by its original cultural and ethnic values.<br />2. Local people should have the right to receive education and training on administration through workshops and courses that help to promote their culture and community values.<br />3. Allocate economic <span id="SPELLING_ERROR_30" class="blsp-spelling-corrected">stimulus</span> packages and grants to cultural groups and people <span id="SPELLING_ERROR_31" class="blsp-spelling-corrected">interested</span> in the promotion of local culture.<br />4. Keep continuous tracking of the development of each <span id="SPELLING_ERROR_32" class="blsp-spelling-error">ethnotouristic</span> group in order to evaluate its performance and correct misleading of resources.</div><br />More information on <span id="SPELLING_ERROR_33" class="blsp-spelling-error">ethnotourism</span>, visit:<br /><br /><a href="http://blog.sustainabletravel.com/ecotourism_expands_into_ethnot.html">http://blog.sustainabletravel.com/ecotourism_expands_into_ethnot.html</a><br /><a href="http://bigtravelweb.com/travel/2008/04/21/community-ecotourism-project-development-guidelines/">http://bigtravelweb.com/travel/2008/04/21/community-ecotourism-project-development-guidelines/</a>Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com10tag:blogger.com,1999:blog-1434661872806694237.post-1458840676597815712009-09-15T18:24:00.000-07:002009-09-15T19:07:10.584-07:00Colombia in the new era of globalization<div>Colombia, one of the countries more affected by guerilla and drug trafficking is currently in the process of recovering its original image as a beautiful and touristic country. For decades, Colombia has struggled against paramilitary and subversive groups that in numerous occasions decimated the native communities and displaced hundreds of peoples from their native lands, for drug dealers and guerillas be able to use that land for coca plantations. President Uribe, has received millions of dollars from the USA government to support the combat against drug dealers and guerilla groups. Also, Colombia has entered into globalization by becoming a part of the New Trade Agreement for Central and South America. It is obvious that this process will increase the circulation of global merchandises in the nation, and Colombia has to face the social inequalities that globalization brings. As it has been the case of Mexico after NAFTA, the breech between the rich and the poor enormously grows with globalization and neo-liberal politics reaching high levels of inequality; the same is happening now a days in Colombia just after few years of having started business with the richest countries of the globe.<br />However, questions remain : Will be the new trade agreement able to diminish violence in this lacerated country? Will globalization be able to decrease the level of poverty in the nation? Disenfranchised communities such as blacks and Amerindians will be able to become respected and supported for further development of their ethnic traditions and cultures?</div><div> </div><img id="BLOGGER_PHOTO_ID_5381880390896112338" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 240px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMcmqdZoATThTRmkwyu0BmX-ldbqUNhgbaNODHK5wKPH8lZJOPJlF50zJI6hgKzIcZNLWh_-XUahxglRUpjflcOe9-0GCG0A1KhTjhNMlyMStFryQP2Hb3KfFqfBKOGU_gEL5XCLLUXs8/s320/kids_palenque.jpg" border="0" /><br /><em><span style="color:#660000;">School children studying palenquero language in San Basilio de Palenque, Colombia</span></em>Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com1tag:blogger.com,1999:blog-1434661872806694237.post-11718977286480734102009-07-29T18:50:00.000-07:002009-07-30T10:12:11.651-07:00<span style="color:#ff0000;">Conversación con varios hombre del Palenque de San Basilio, quienes hablan sobre las necesidades materiales que tienen actualmente en su comunidad</span> (mp3 file).<br /><p><a href="http://www.zshare.net/audio/63351834be2b1f83/">http://www.zshare.net/audio/63351834be2b1f83/</a></p><p><br /></p>Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-47855948895130229602009-07-29T17:09:00.000-07:002019-08-10T11:03:22.294-07:00La Champeta colombiana de Ane Swing<br />
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<span style="color: #fff2cc;">En el Palenque de San Basilio, Colombia, 2008.</span></div>
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<i><span style="color: #ffe599;">Champetas de ayer y hoy CD</span></i></div>
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</span><u><span style="color: #000120;"></span></u><span style="color: #fff2cc;"></span><br />Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0tag:blogger.com,1999:blog-1434661872806694237.post-78898204199870822312009-07-29T15:03:00.000-07:002009-07-29T15:29:35.696-07:00Charles King - champeta del licenciado<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxdviqJb_Ed5JScR8_JTKLEKXVkZw2dzAEMVfeDgalrZNcd783BaVOujUPPG_6gUo563Ua1cOmCrDdWfBwxIA' class='b-hbp-video b-uploaded' frameborder='0'></iframe>Manuel Apodacahttp://www.blogger.com/profile/08297741850656804980noreply@blogger.com0